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Finding Your Writer's Voice: A Guide to Creative Fiction by Thaisa Frank, Dorothy Wall

Finding Your Writer's Voice: A Guide to Creative Fiction Thaisa Frank, Dorothy Wall ebook
Format: pdf
Publisher: St. Martin's Press
ISBN: 9780312151287
Page: 256

She has co-authored a work of nonfiction, Finding Your Writers Voice: A Guide to Creative Fiction, which is used in MFA programs. Moore MOORE: I've been working my way up to that definition for some time, but—thanks for the kind words—it did seem to fall into a nice form when working on my introduction to The Rose Metal Press Field Guide to Writing Flash Nonfiction earlier this year. She's a fiction writer publishing, in this case, in a journal with a historical focus, which seems to reaffirm some of your points about the breakdown, as creative writing is institutionalized, of divisions between scholarship and creativity. She's the recipient of two PEN awards, and the co-author of Finding Your Writers Voice: A Guide to Creative Fiction, too. But, there's more here than what I find exotic and/or erotic. The one in our head that says, “My Godiva, woman, did you really just string five adjectives in a row to describe your character's appearance?” Or, “What-what-what! I came across Tammy Salyer via Twitter and was so intrigued by the fact that she's both an editor and a creative writer that I asked her to write a guest post for me about how this works for her. Do you find self-publishing your fiction gives you greater creative control? I've made a My voice, my style, has evolved over about twenty years of writing, and whatever I'm writing at the moment is the current product of that ongoing evolution. Naughty robot: Where's your human operator? In your story, “The Steam Dancer (1896),” there is an exoticism and eroticism in your main character's organically incomplete body and its modification with mechanical prostheses. Read on to find out how she uses her “editor's brain” (the 'dreaditor') to help her fiction writing … We all know that voice. The essentially romantic myths of the artist as above all an individual voice go so deep that the default feeling about creative writing programs—certainly from outsiders, but even to a certain degree from insiders—is to loathe them. Creative nonfiction guru, editor, professor, writer; he has also delved into the practices of zoo keeping, modern dancing, waiting tables in Greenwich Village, filmmaking, and wire service journaling. Her forthcoming novel, Heidegger's Glasses, is coming out this fall with Counterpoint Press. I'm honored to have Thaisa here on my blog. New content Creative commons imageCredit: jlmarallicensed for reuse under CC BY-SA 2.0. Introductory Level Updated 11 Jun 2013.